Draper’s most productive period began in 1894. He focused mainly on mythological themes from ancient Greece. His painting The Lament for Icarus (1898) won the gold medal at the Exposition Universelle in Paris in 1900 and was later bought for the Tate Gallery by the Chantrey Trustees.

He was also responsible for the decoration of the ceiling of the Drapers’ Hall in the City of London. Though Draper was neither a member nor an associate of the Royal Academy, he took part in the annual expositions from 1890 on.

The Mythology Fades

In later years as the public tastes changed and mythological scenes became less popular he concentrated more on portraits.

During his lifetime Draper was quite famous, a well-known portrait painter. In his last years, his popularity faded, though there has recently been a revival of interest in his work on the art market.

The sale of his painting The Sea Maiden by the Royal Cornwall Museum in 2010, to help secure its finances, generated debate about the policy of disposing of art works for this purpose.

Simon Toll’s book on Draper, published by the Antique Collector’s Club is the only modern study of his work and includes a full catalogue of his drawings and paintings.

“The Gates of Dawn,” Source: Wikipedia.